Mary E. Wilkins Freeman - Giles Corey, Yeoman
M >>
Mary E. Wilkins Freeman >> Giles Corey, Yeoman
Giles Corey, Yeoman
A Play
By
Mary E. Wilkins
Illustrated
New York
Harper & Brothers Publishers
1893
Cast of Characters.
Giles Corey.
Paul Bayley, _Olive Corey's lover._
Samuel Parris, _minister in Salem Village._
John Hathorne, _magistrate._
Jonathan Corwin, _magistrate._
Olive Corey, _Giles Corey's daughter._
Martha Corey, _Giles Corey's wife._
Ann Hutchins, _Olive's friend and one of the Afflicted Girls._
Widow Eunice Hutchins, _Ann's mother._
Phoebe Morse, _little orphan girl, niece to Martha Corey._
Mercy Lewis, _one of the Afflicted Girls._
Nancy Fox, _an old serving-woman in Giles Corey's house._
_Afflicted Girls, Constables, Marshal, People of Salem Village,
Messengers, etc._
Act I.
Scene I.--_Salem Village. Living-room in_ Giles Corey's _house._
Olive Corey _is spinning._ Nancy Fox, _the old servant, sits in the
fireplace paring apples. Little_ Phoebe Morse, _on a stool beside
her, is knitting a stocking._
_Phoebe_ (_starting_). What is that? Oh, Olive, what is that?
_Nancy._ Yes, what is that? Massy, what a clatter!
_Olive_ (_spinning_). I heard naught. Be not so foolish, child. And
you, Nancy, be of a surety old enough to know better.
_Nancy._ I trow there was a clatter in the chimbly. There 'tis
again! Massy, what a screech!
_Phoebe_ (_running to_ Olive _and clinging to her_). Oh, Olive, what
is it? what is it? Don't let it catch me. Oh, Olive!
_Olive._ I tell you 'twas naught.
_Nancy._ Them that won't hear be deafer than them that's born so.
Massy, what a screech!
_Phoebe._ Oh, Olive, Olive! Don't let 'em catch me!
_Olive._ Nobody wants to catch you. Be quiet now, and I'll sing to
you. Then you won't think you hear screeches.
_Nancy._ We won't, hey?
_Olive._ Be quiet! This folly hath gone too far. [_Sings spinning
song._
SPINNING SONG.
"I'll tell you a story; a story of one,
'Twas of a great prince whose name was King John.
A great prince was he, and a man of great might
In putting down wrong and in setting up right.
To my down, down, down, derry down."
_Nancy._ Massy, what screeches! [_Screams violently._
_Phoebe._ Oh, Nancy, 'twas you screeched then.
_Nancy._ It wasn't me; 'twas a witch in the chimbly. (_Screams
again._) There, hear that, will ye? I tell ye 'twa'n't me. I 'ain't
opened my mouth.
_Olive._ Nancy, I will bear no more of this. If you be not quiet, I
will tell my mother when she comes home. Now, Phoebe, sing the rest
of the song with me, and think no more of such folly. [_Sings with_
Phoebe.
"This king, being a mind to make himself merry,
He sent for the Bishop of Canterbury.
'Good-morning, Mr. Bishop,' the king did say.
'Have you come here for to live or to die?'
To my down, down, down, derry down.
"'For if you can't answer to my questions three,
Your head shall be taken from your body;
And if you can't answer unto them all right,
Your head shall be taken from your body quite.'
To my down, down, down, derry down."
_Nancy_ (_wagging her head in time to the music_). I know some words
that go better with that tune.
_Phoebe._ What are they?
_Nancy._ Oh, I'm forbid to tell.
_Phoebe._ Who forbade you to tell, Nancy?
_Nancy._ The one who forbade me to tell, forbade me to tell who
told me.
_Olive._ Don't gossip, or you won't get your stints done before
mother comes home.
_Phoebe_ (_sulkily_). I won't finish my stint. Aunt Corey set me too
long a stint. I won't. Oh, there she is now! [_Knits busily._
_Enter_ Ann Hutchins.
_Olive_ (_rising_). Well done, Ann. I was but now wishing to see
you. Sit you down and lay off your cloak. Why, how pale you look,
Ann! Are you sick?
_Ann._ You know best.
_Olive._ I? Why, what mean you, Ann?
_Ann._ You know what I mean, in spite of your innocent looks. Oh,
open your eyes wide at me, if you want to! Perhaps you don't know
what makes them bigger and bluer than they used to be.
_Olive._ Ann!
_Ann._ Oh, I mean nothing. I am not sick. Something frightened me
as I came through the wood.
_Olive._ Frightened you! Why, what was it?
_Phoebe._ Oh, what was it, Ann?
_Ann._ I know not; something black that hustled quickly by me and
raised a cold wind.
_Phoebe._ Oh, oh!
_Olive._ 'Twas a cat or a dog, and your own fear raised the cold
wind. Think no more of it, Ann. Wait a moment while I go to the
north room. I have something to show you. [_Exit_ Olive _with a
candle._
_Phoebe._ What said the black thing to you, Ann?
_Ann._ I know not.
_Nancy._ Said it not: "Serve me; serve me?"
_Ann._ I know not. I was deaf with fear.
_Phoebe._ Oh, Ann, did it have horns?
_Ann._ I tell you I know not. You pester me, child.
_Phoebe._ Did it have hoofs and a tail?
_Ann._ Be quiet, I tell you, or I'll cuff your ears.
_Nancy._ She needn't be so topping. It will be laying in wait for
her when she goes home. I'll warrant it won't let her off so easy.
_Enter_ Olive, _bringing an embroidered muslin cape. She puts it
gently over_ Ann's _shoulders._
_Ann_ (_throwing it off violently_). Oh! oh! Take it away! take it
away!
_Olive._ Why, Ann, what ails you?
_Ann._ Take it away, I say! What mean you by your cursed arts?
_Olive._ Why, Ann! I have been saving a long time to buy it for
you. 'Tis like my last summer's cape that you fancied so much. I
sent by father to Boston for it.
_Ann._ I need it not.
_Olive._ I thought 'twould suit well with your green gown.
_Ann._ 'Twill suit well enough with a green gown, but not with a
sore heart.
_Nancy._ I miss my guess but it 'll suit well enough with her heart
too. I trow that's as green as her gown; green's the jealous color.
_Olive._ You be all unstrung by your walk hither through the wood,
Ann. I'll fold the cape up nicely for you, and you can take it when
you go home. And mind you wear it next Sabbath day, sweet. Now I
must to my wheel again, or I shall not finish my stint by nine
o'clock.
_Ann._ Your looks show that you were up later than nine o'clock
last night.
_Phoebe._ Oh, Ann, did you see the light in the fore room?
_Ann._ That did I. I stood at my chamber and saw it shine through
the wood.
_Nancy._ You couldn't see so far without spectacles.
_Ann._ It blinded me. I could get no sleep.
_Nancy._ You think your eyes are mighty sharp. Maybe your ears are
too? Maybe you heard 'em kissing at the door when he went home?
_Olive._ Nancy, be quiet!
_Nancy._ You needn't color up and shake your head at me, Olive.
They stood kissing there nigh an hour, and he with his arm round her
waist, and she with hers round his neck. They'd kiss, then they'd
eye each other and kiss again. I know I woke up and thought 'twas
Injuns, and I peeked out of my chamber window. Such doings! You'd
ought to have seen 'em, Ann.
_Phoebe._ Oh, Nancy, why didn't you wake me up?
_Olive._ Nancy, I'll have no more of this.
_Nancy._ That's what she ought to have said last night--hadn't she,
Ann? But she didn't. Oh, I'll warrant she didn't! I know you would,
Ann.
_Olive._ Nancy! [_A noise is heard outside._
_Phoebe._ Oh, what's that noise? What is coming?
_Enter_ Giles Corey, _panting. He flings the door to violently and
slips the bolt._
_Nancy._ Massy! what's after ye?
_Phoebe._ Oh, Uncle Corey, what's the matter?
_Giles._ The matter is there be too many evil things abroad
nowadays for a man to be out after nightfall. When things that can
be hit by musket balls lay in wait, old Giles Corey is as brave as
any man; but when it comes to devilish black beasts and black men
that musket balls bound back from--What! you here, Ann Hutchins?
What be you out after dark for?
_Ann._ I came over to see Olive, Goodman Corey.
_Giles._ You'd best stayed by your own hearth if you've got one.
Young women have no call to be out gadding after dark in these
times.
_Phoebe._ Oh, Uncle Corey, something did frighten Ann as she came
through the wood. A black beast, with horns and a tail and eyes like
balls of fire, jumped out of the bushes at her, and bade her sign
the book in a dreadful voice.
_Giles._ What! Was't so, Ann?
_Ann._ I know not. There was something.
_Olive_ (_laughing_). 'Twas naught but Ann's own shadow that her
fear gave a voice and a touch to. Say naught to frighten Ann,
father; she is the most timorous maid in Salem Village now.
_Giles._ There is some wisdom in fear nowadays. You make too light
of it, lass.
_Olive_ (_laughing_). Nay, father, I'll turn to and hang up my own
shadow in the chimbly-place for a witch, an you say so.
_Giles._ This be no subject for jest. Said you the black beast
spoke to you, Ann?
_Ann._ I know not. Once I thought I heard Olive calling. I know not
what I heard.
_Giles._ You'd best have stayed at home. Where is your mother,
Olive?
_Olive._ She has gone to Goodwife Bishop's with a basket of eggs.
_Giles._ Gone three miles to Goodwife Bishop's this time of night?
Is the woman gone out of her senses?
_Olive._ She is not afraid.
_Giles._ I'll warrant she is not afraid. So much the worse for her.
Mayhap she's gone riding on a broomstick herself. How is the cat?
_Olive._ She is better.
_Giles._ She was taken strangely, if your mother did make light of
it. And the ox, hath he fell down again?
_Olive._ Not that I have heard.
_Giles._ The ox was taken strangely, if your mother did pooh at it.
The ox was better when she went out of the yard.
_Phoebe._ There's Aunt Corey now. Who is she talking to?
_Enter_ Martha Corey.
_Phoebe._ Who were you talking to, Aunt Corey?
_Martha._ Nobody, child. Good-evening, Ann.
_Phoebe._ I heard you talking to somebody, Aunt Corey.
_Martha._ Be quiet, child. I was talking to nobody. You hear too
much nowadays. [_Takes off her cloak._
_Nancy._ Mayhap she hears more than folk want her to. I heard a
voice too, a gruff voice like a pig's.
_Giles._ I thought I heard talking too. Who was it, Martha?
_Martha._ I tell you 'twas no one. Are you all out of your wits?
[_Gets some knitting-work out of a cupboard and seats herself._
_Phoebe._ Weren't you afraid coming through the wood, Aunt Corey?
_Martha_ (_laughing_). Afraid? Why, no, child. Of what should I be
afraid?
_Giles._ I trow there's plenty to be afraid of. How did you get
home so quick? 'Tis a good three miles to Goody Bishop's.
_Martha._ I walked at a good speed.
_Giles._ I thought perhaps you galloped a broomstick.
_Martha._ Nay, goodman, I know not how to manage such a strange
steed.
_Giles._ I thought perhaps one had taught you, inasmuch as you have
naught to say against the gentry that ride the broomstick of a
night.
_Martha._ Fill not the child's head with such folly. How fares your
mother, Ann?
_Ann._ Well, Goodwife Corey.
_Giles._ She lacks sense, or she would have kept her daughter at
home. Out after nightfall, and the woods full of the devil knoweth
what.
_Martha._ Nay, goodman, there be no danger. The scouts are in the
fields.
_Giles._ I meant not Injuns. There be worse than Injuns. There be
evil things and witches!
_Martha_ (_laughing_). Witches! Goodman, you are a worse child than
Phoebe here.
_Giles._ I tell ye, wife, you talk like a fool, ranting thus
against witches. I would you had been where I have been to-night,
and heard the afflicted maids cry out in torment, being set upon by
Sarah Good and Sarah Osborn. I would you had seen Mercy Lewis
strangled almost to death, and the others testifying 'twas Sarah
Good thus afflicting her. But I'll warrant you'd not have believed
them.
_Martha_ (_laughing_). That I would not, goodman. I would have said
that the maids should be sent home and soundly trounced, then put to
bed, with a quart bowl of sage tea apiece.
_Giles._ Talk so if you will. One of these days folk will say you
be a witch yourself. You were ever hard-skulled, and could knock
your head long against a truth without being pricked by it. Hold out
if you can, when only this morning the ox and the cat were took so
strangely here in our own household.
_Martha._ Shame on you, goodman! The ox and the cat themselves
would laugh at you. The cat ate a rat, and it did not set well on
her stomach, and the ox slipped in the mire in the yard.
_Nancy._ 'Twas more than that. I know, I know.
_Giles._ Laugh if you will, wife. Mayhap you know more about it
than other folk. You never could abide the cat. I am going to bed,
if I can first go to prayer. Last night the words went from me
strangely! But you will laugh at that. [_Lights a candle. Exit._
_Phoebe._ Aunt Corey, may I eat an apple?
_Martha._ Not to-night. 'Twill give you the nightmare.
_Phoebe._ No, 'twill not.
_Martha._ Be still!
_There is a knock._ Olive _opens the door. Enter_ Paul Bayley. Ann
_starts up._
_Paul._ Good-evening, goodwife. Good-evening, Olive. Good-evening,
Ann. 'Tis a fine night out.
_Ann._ I must be going; 'tis late.
_Olive._ Nay, Ann, 'tis not late. Wait, and Paul will go home with
you through the wood.
_Ann._ I must be going.
_Paul_ (_hesitatingly_). Then let me go with you, Mistress Ann! I
can well do my errand here later.
_Ann._ Nay, I can wait whilst you do the errand, if you are speedy.
I fear lest the delay would make you ill at ease.
_Martha_ (_quickly_). There is no need, Paul. I will go with Ann. I
want to borrow a hood pattern of Goodwife Nourse on the way.
_Paul._ But will you not be afraid, goodwife?
_Martha._ Afraid, and the moon at a good half, and only a short way
to go?
_Paul._ But you have to go through the wood.
_Martha._ The wood! A stretch as long as this room--six ash-trees,
one butternut, and a birch sapling thrown in for a witch spectre.
Say no more, Paul. Sit you down and keep Olive company. I will go,
if only for the sake of showing these silly little hussies that
there is no call for a gospel woman with prayer in her heart to be
afraid of anything but the wrath of God. [_Puts a blanket over her
head._
_Ann._ I want no company at all, Goodwife Corey.
_Phoebe._ Aunt Corey, let me go, too; my stint is done.
_Martha._ Nay, you must to bed, and Nancy too. Off with ye, and no
words.
_Nancy._ I'm none so old that I must needs be sent to bed like a
babe, I'd have you know that, Goody Corey. [_Sets away apple pan;
exit, with_ Phoebe _following sulkily._
_Martha._ Come, Ann.
_Ann._ I want no company. I have more fear with company than I have
alone.
_Martha._ Along with you, child.
_Olive._ Oh, Ann, you are forgetting your cape. Here, mother, you
carry it for her. Good-night, sweetheart.
_Ann._ I want no company, Goodwife Corey. [Martha _takes her
laughingly by the arm and leads her out._
_Paul._ It is a fine night out.
_Olive._ So I have heard.
_Paul._ You make a jest of me, Mistress Olive. Know you not when a
man is of a sudden left alone with a fair maid, he needs to try his
speech like a player his fiddle, to see if it be in good tune for
her ears; and what better way than to sound over and over again the
praise of the fine weather? What ailed Ann that she seemed so
strangely, Olive?
_Olive._ I know not. I think she had been overwrought by coming
alone through the woods.
_Paul._ She seemed ill at ease. Why spin you so steadily, Olive?
_Olive._ I must finish my stint.
_Paul._ Who set you a stint as if you were a child?
_Olive._ Mine own conscience, to which I will ever be a child.
_Paul._ Cease spinning, sweetheart.
_Olive._ Nay.
_Paul._ Come over here on the settle, there is something I would
tell thee.
_Olive._ Tell it, then. I can hear a distance of three feet or so.
_Paul._ I know thou canst, but come.
_Olive._ Nay, I will not. This is no courting night. I cannot idle
every night in the week.
_Paul._ Thou wouldst make a new commandment. A maid shall spin flax
every night in the week save the Sabbath, when she shall lay aside
her work and be courted. There be young men here in Salem Village,
though you may credit it not, Olive, who visit their maids twice
every week, and have the fire in the fore room kindled.
_Olive._ My mother thinks it not well that I should sit up oftener
than once a week, nor do I; but be not vexed by it, Paul.
_Paul._ I love thee better for it, sweetheart.
_Olive._ My stint is done.
_Paul._ Then come. (_She obeys._) Now for the news. This morning I
bought of Goodman Nourse his nine-acre lot for a homestead. What
thinkest thou of that?
_Olive._ It is a pleasant spot.
_Paul._ 'Tis not far from here, and thou wilt be near thy mother.
_Olive._ Was it not too costly?
_Paul._ I had saved enough to pay for it, and in another year's
time, and I have the help of God in it, I shall have saved enough
for our house. What thinkest thou of a gambrel-roof and a lean-to,
two square front rooms, both fire-rooms, and a living-room? And
peonies and hollyhocks in the front yard, and two popple-trees, one
on each side of the gate?
_Olive._ We shall need not a lean-to, Paul, and one fire-room will
serve us well; but I will have laylocks and red and white roses as
well as peonies and hollyhocks in the front yard, and some mint
under the windows to make the house smell sweet; and I like well the
popple-trees at the gate.
_Paul._ The house shall be built of fairly seasoned yellow pine
wood, with a summer tree in every room, and fine panel-work in the
doors and around the chimbleys.
_Olive._ Nay, Paul, not too fine panel-work; 'twill cost too high.
_Paul._ Cupboards in every room, and fine-laid white floors.
_Olive._ We need a cupboard in the living-room only, but I have
learned to sand a floor in a rare pattern. [Paul _attempts to
embrace_ Olive. _She repulses him._
_Paul._ I trow you are full provident of favors and pence, Olive.
_Olive._ I would save them for thee, Paul.
_Paul._ And thou shalt not be hindered by me to any harm,
sweetheart. Was't thy mother taught thee such wisdom, or thine own
self, Olive?
_Olive._ 'Twas my mother.
_Paul._ Nay, 'twas thine own heart; that shall teach me, too.
[_Nine-o'clock bell rings._
_Olive._ Oh, 'tis nine o'clock, and 'tis not a courting night.
Paul, be off; thou must! [_They jump up and go to the door._
_Paul_ (_putting his arm around_ Olive). Give me but one kiss,
Olive, albeit not a courting night, for good speed on my homeward
walk and my to-morrow's journey.
_Olive._ Where go you to-morrow, Paul?
_Paul._ To Boston, for a week's time or more.
_Olive._ Oh, Paul, there may be Injuns on the Boston path! Thou
wilt be wary?
_Paul_ (_laughing_). Have no fear for me, sweetheart. I shall have
my musket.
_Olive._ A week?
_Paul._ 'Tis a short time, but long enough to need sweetening with
a kiss when folk are absent from one another.
_Olive_ (_kisses him_). Oh, be careful, Paul!
_Paul._ Fear not for me, sweetheart, but do thou too be careful,
for sometimes danger sneaks at home, when we flee it abroad. Keep
away from this witchcraft folly. Good-by, sweetheart. [_They part._
Olive _sets a candle in the window after_ Paul's _exit. Nine-o'clock
bell still rings as curtain falls._
Scene II.--_Twelve o'clock at night. Living-room at_ Giles Corey's
_house, lighted only by the moon and low fire-light. Enter_ Nancy
Fox _with a candle,_ Phoebe _following with a large rag doll._
Nancy _sets the candle on the dresser._
_Nancy._ Be ye sure that Goody Corey is asleep, and Goodman Corey?
_Phoebe_ (_dances across to the door, which she opens slightly, and
listens_). They be both a-snoring. Hasten and begin, I pray you,
Nancy.
_Nancy._ And Olive?
_Phoebe._ She is asleep, and she is in the south chamber, and could
not hear were she awake. Here is my doll. Now show me how to be a
witch. Quick, Nancy!
_Nancy._ Whom do you desire to afflict?
_Phoebe_ (_considers_). Let me see. I will afflict Uncle Corey,
because he brought me naught from Boston to-day; Olive, because she
gave that cape to Ann instead of me; and Aunt Corey, because she set
me such a long stint, because she would not let me eat an apple
to-night, and because she sent me to bed. I want to stick one pin
into Uncle Corey, one into Olive, and three into Aunt Corey.
_Nancy._ Take the doll, prick it as you will, and say who the
pricks be for. [Phoebe _sticks a pin into the doll._
_Phoebe._ This pin be for Uncle Corey, and this pin be for Olive,
and this pin for Aunt Corey, and this pin for Aunt Corey, and this
pin for Aunt Corey. Pins! pins!! pins!!! (_Dances._) In truth,
Nancy, 'tis rare sport being a witch; but I stuck not in the pins
very far, lest they be too sorely hurt.
_Nancy._ Is there any other whom you desire to afflict?
_Phoebe._ I fear I know not any other who has angered me, and I
could weep for 't. Stay! I'll afflict Ann, because she hath the
cape; and I'll afflict Paul Bayley, because I'm drove forth from the
fore room Sabbath nights when he comes a-courting; and I'll afflict
Minister Parris, because he put me too hard a question from the
catechism; that makes three more. Oh, 'tis rare sport! (_Seizes the
doll and sticks in three pins._) This pin be for Ann, this pin be
for Paul, and this pin be for Minister Parris. Deary me, I can think
of no more! What next, Nancy?
_Nancy._ I'll do some witchcraft now. I desire to afflict your aunt
Corey, because she doth drive me hither and thither like a child,
and sets no value on my understanding; Olive, because she made a
jest of me; and Goody Bishop, because she hath a fine silk hood.
_Phoebe._ Here is the doll, Nancy.
_Nancy._ Nay, I have another way, which you be too young to
understand. [Nancy _takes the candle, goes to the fireplace, and
courtesies three times, looking up the chimney._
_Nancy._ Hey, black cat! hey, my pretty black cat! Go ye and sit on
Goody Corey's breast, and claw her if she stirs. Do as I bid ye, my
pretty black cat, and I'll sign the book.
_Phoebe._ Oh, Nancy, I hear the black cat yawl!
_Nancy_ (_after courtesying three times_). Hey, black dog! hey, my
pretty black dog! Go ye and howl in Mistress Olive's ear, so she be
frighted in her dreams, and so get a little bitter with the sweet.
Do as I bid ye, my pretty black dog, and I'll sign the book.
_Phoebe._ Oh, Nancy, I hear the black dog howl!
_Nancy_ (_after courtesying three times_). Hey, yellow bird! hey, my
pretty yellow bird! Go ye and peck at Goody Bishop's fine silk hood
and tear it to bits. Do as I bid ye, my pretty yellow bird, and I'll
sign the book.
_Phoebe._ Oh, Nancy, I hear the yellow bird twitter up chimbly!
_Nancy._ 'Tis rare witchcraft.
_Phoebe._ Is that all, Nancy?
_Nancy._ All of this sort. I've given them all they can do
to-night.
_Phoebe._ Then sing the witch song, Nancy.
_Nancy._ I'll sing the witch song, and you can dance on the table.
_Phoebe._ But 'tis sinful to dance, Nancy!
_Nancy._ 'Tis not sinful for a witch.
_Phoebe._ True; I forgot I was a witch. [_Gets upon the table and
dances, dangling her doll, while_ Nancy _sings._
WITCH SONG.
(Same air as Spinning Song.)
"I'll tell you a story, a story of one;
'Twas of a dark witch, and the wizard her son.
A dark witch was she, and a dark wizard he,
With yellow birds singing so gay and so free.
To my down, down, down, derry down.
"The clock was a-striking, a-striking of one.
The witches came out, and the dancing begun.
They courtesied so fine, and they drank the red wine--
The wizards were three and the witches were nine.
To my down, down, down, derry down.
"Halloo, the gay dancers! Halloo, I was one;
The goody that prayed and the maiden that spun!
The yellow birds chirped in the boughs overhead,
And fast through the bushes the black dog sped.
To my down, down, down, derry down."
[_A noise is heard._ Phoebe _jumps down from the table._
_Phoebe._ Oh, Nancy, something's coming! Run, run quick, or it 'll
catch us! [_Both run out. Curtain falls._
Act II.
_Best room in the house of_ Widow Eunice Hutchins, Ann's _mother._
John Hathorne _and_ Minister Parris _enter, shown in by_ Widow
Hutchins.
_Hutchins._ I pray you, sirs, to take some cheers the while I go
for a moment's space to my poor afflicted child. I heard her cry out
but now. [_Exit._
[Hathorne _and_ Parris _seat themselves, but_ Hathorne _quickly
springs up, and begins walking._
_Hathorne._ I cannot be seated in this crisis. I would as lief be
seated in an onset of the savages. I must up and lay about me. We
have heretofore been too lax in this dreadful business; the powers
of darkness be almost over our palisades. I tell thee there must be
more action!
_Parris_ (_pounding with his cane_). Yea, Master Hathorne, I am with
thee. Verily, this last be enough to make the elect themselves quake
with fear. This Martha Corey is a woman of the covenant.
_Hathorne._ There must be no holding back. The powers of darkness
be let loose amongst us, and they that be against them must be up.
We must hang, hang, hang, till we overcome!
_Parris._ Yea, we must not falter, though all the woods of
Massachusetts Bay be cut for gallows-trees, and the country be like
Sodom. Verily, Satan hath manifested himself at the head of our
enemies; the colonies were never in such peril as now. We must
strive as never before, or all will be lost. The wilderness full of
malignant savages, who be the veritable servants of Satan, closes us
in, and the cloven footmark is in our midst. There must be no
dallying as we would save the colonies. Widow Hutchins saith her
daughter is grievously pressed. (_A scream._) There, heard you
that?